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Summer Peace School in Chambéry

The 4B building is the first one you will see when you get down at the last but one bus stop of the A Line, from Chambéry’s train station. It seems quite insignificant at first glance, doesn’t it ? Particularly as it may keep its shutters resolutely closed when you go and see it…
But don’t get upset, no, don’t. You should rather use the small grey table to read next to the front door. Or go under the nearby trees to perform some Yoga moves, Even wait for a bunch of friends, lay down in the grass, with some music and a notebook.
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If you have an artistic sensitivity, find out if you can photograph the poetry around you, using the little you have. Or do a couple of theatre exercises : fall down in slowmotion, distort sounds, play the mirror game and, when you seek some freshness towards the shy 4B building, I hope with all my heart that it will open its door, just as it did for us.
« Us » refers to the Hungarian, Bosnian, Pollish, German and French young adults who took part in the social side of the VoCE project. As for me, I am a young girl who got lucky enough to become a link in this chain.
I lived an actual journey in the 4B building, and I did not even have to leave Chambéry ! This project now represents an experience that left me more grown up, and richer. Because how busy were we during this week !
I met new people, I learnt a bit more about their cultures, their habits, their phrases. We learnt how to overcome the limits of words to understand one another, and this way I made friends. I even caught a glimpse of my future, as I am now welcome to Germany and Polland.
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In Saint-Maurice de Rotherens, and during the choirs practice, I have been taught how to really listen. As a consequence, I could open my ears to all the voices surrounding me from then, voices of singers, of dancers, of organizers. Whether these voices spoke my langage or not.
I understood that every human being needs affective links. That it could only be profitable to let useless barriers go away, that is to say these barriers we build each day, to be unnoticed or to satisfy social expectations. This encouraged me to be more tolerant with the others and with myself, to show my affection more often, to take steps towards the others.
We could also benefit from the presence of professionnals, inspired and inspiring, who allowed us to create many things. I think that thanks to them, we truly could feel what the soldiers from WWI had lived, and what peace really means, through photo and video montages.
I also danced, and I felt useful.
To finish with, of course we were not all the time in osmosis. Of course we sometimes had to face tensions, or dissents. But it is no big deal. Because there were very beautiful moments, by which we were all different, but all together. Very beautiful moments, which became very beautiful memories for us all, I don’t doubt it.

Thank you (:

Laure

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After 4 years in VoCE project…

Letter from Seng Sana, member of the Summer Peaceschools, to Mascha Join-Lambert, president:

I was meaning to write because I haven’t managed to thank you in person ever since the beginning of the project. I started this project when I was 18 years old, and now I am 22.
In Bosnia, in Sarajevo, I was not very open to the people around me, as I felt blocked by the language barrier. And you have always been there to help me express and understand.
Thanks to you I began taking an interest in each country’s history, I started to go to museums and events, whereas I would not have imagined going there before. All the prejudices I had concerning these countries have now disappeared, as I learnt how to believe what I see and not what I hear.
I had the opportunity to make many friends all over Europe, I learnt their cultures and their ways of life. Some countries had a very moving history, and we are not taught this at school !
It allowed me to surpass myself, and more importantly to get motivation to speak other languages and talk with them. Though I am still far from reaching this goal, I made a significant progress. Now I am able to understand what is asked, but I can’t answer because of a small mental block : the shame of making mistakes when I talk.
There were ups and downs, but what I keep in mind are the moments of sharing and joy we all had. Since these meetings I am always eager for us to be reunited. And, for each departure there always is grief on everyone’s face, and in everyone’s heart.
Just to tell you that I am happy to have taken part in this project with you, thank you for organizing it. Each meeting makes us better persons. You are always near to guide us in our lives and show us the right path. You saw us growing up and I won’t forget it, and all this is thanks to you, thank you very much.
You only need a tiny seed of hope to plant a whole field of happiness… and a bit of patience to give it the time to grow. We are your seeds, the ones you planted and watered to see us grow up. Thank you very much Mascha.

Photo de J.Pierre Dupraz

Mémorial, Thierry Machuel’s music work for VoCE

Born in 1962, Thierry Machuel is a French composer and pianist who devotes most of his work to choral art, on texts by contemporary authors in many languages. His repertoire weaves specific links between poetry, languages and cultures and music. It covers more than 40 countries and territories. His entire work is a vibrant humanist advocacy based on openness to others.

To that extent, Thierry Machuel has long been interested in the first hand accounts, written by resistance fighters or communities with singular life experiences, such as those collected from prisoners between 2008 and 2011 (Clairvaux box set; Or, les murs…, Grand Prix de l’Académie Charles Cros 2010). His work for schoolchildren, L’Europe de mes rêves, written in twenty-seven different languages and created by 800 schoolchildren from all over Europe last May, was elected by the Académie musicale Villecroze and the Fédération Nationale des Chorales Scolaires to be made available to rectorates free of charge for five years. First composer received at the Villa Médicis (Rome, 1996-98) and at the Casa Velázquez (Madrid, 1999-2001) for a project exclusively for a cappella choir, he was awarded the Sacem/Francis and Mica Salabert prize for vocal music in 2008, the grant from the Beaumarchais Foundation in 2009 and a commission from the Ministry of Culture in 2010 for the creation of his opera Les lessiveuses (the washerwomen), as well as the Grand Prix Lycéen des Compositeurs 2011 awarded with a very large majority by students and their teachers from a hundred high schools throughout France. His choral works are sung in Europe, Asia and the Americas.

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Mémorial is a profane oratorio in 24 languages for 9 European a cappella choirs in memory of the victims of the Great War.
The piece is structured in 4 parts. Some short texts, haikus of soldiers, punctuate the various parts and recall the context.

1. Flame(s) evokes fire and devastation in the ranks of all parties, from one side as much as the other.

2. Mémoire(s) (memory(ies) talks about death with several pronouns and points of view, from the one who died and sees himself or herself going to the stars to those who mourn the disappearance of a loved one. In the centre is a choir transcription of an organ choir by Johann Sebastian Bach, on which I have placed the Latin texts of the Office of the Dead (Requiem) and Psalm 130 (De Profundis).

3. Vie(s) [Life(ves)] shows the moment when one recognizes in the other a brother, where the inner movement initiates a movement towards him to include him in humanity.

 4. Lumière(s) [light(s)] evokes the values around which life in common, « living together », seems possible to us. Here, of course, this project of values takes on even more meaning through singing.

Nevertheless, it is the hope that I want to transmit here, and the commitment that all must carry to the highest level in order to make possible, despite the threats of today’s world, a living and generous Europe. Thierry Machuel.

See all the texts of the music work (French and English versions): memorial francais english

 

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Adress to the audience at Chambéry Cathedral, August 3, 2018

Welcome to All among the large family of VoCE 2014-2018, which has been joined this year by the Festival des Nuits d’Eté.
We are grateful for your presence, Mrs. Koczinska-Vrebes, General Consul of the Republic of Poland, Members of regional parliaments and of the Town of Chambéry, while Mr.Michel Dantin MEP, Mayor of Chambéry, apologizes for not being able to attend the concert, and I also wish to apologize for Monseigneur Philippe Ballot, Archbishop of Chambéry, who would have liked to welcome us in his seat.

Dear Friends,
the singers of VoCE 2014-2018 you will hear tonight as well as the members of VoCE Summer Peace School you might meet in front of the Cathedral, travelled here from Romania, Hungary, Bosnia-Herzegovina, Poland, Germany, Belgium and France.

VoCE 2014 – 2018, litterally means « Voices and ways from Europe ».
It is the 5th year that it’s members pursue their pilgrimage through all those countries. Remembrance of the fratricidal World War I  became for them a way of identifying a common belonging as Europeans, today and tomorrow.
In 2018, all the nations will remember the ways out of the war. And these memories are multiplied :
The great western democracies remember their victory and contemplate the sacrifices their peoples had endured.
Germany painstakingly faces her memories.
Middle- and Southwestern European countries give rebirth to their national renaissance after the War. But they must face all the contradictions those national principles erected between them – still alive today.
The diversity of memories accompanied us all the long of our ways through Europe since 2014.
But we were lucky to have among us young men and women from Bosnia-Herzegovina. These members of our VoCE-family , intimately hurt as they are by war, still war, unveiling the essentials, always led us back on a common track : instead of competition of memories, they taught the common memory of the will to live, the memory of hope.
They designed the memories of the confidence in a better and fraternal future, undestructible desire of humans.
I am very sure the memories of this desire will still serve as a compass in the middle of doubts about our European civilisation.
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And we shall never thank enough the French composer Thierry Machuel for having deeply echoed our purpose, and translated it into poetry and music. Thank you for being with us tonight.

Last not least, I wish to thank those who supported us, be it for the current project 2018, or be it on the long run.
Firstly, the Town of Chambéry which supported this event with unlimited enthusiasm. We are grateful to the Région Auvergne-Rhône-Alpes, the Département of Savoy, Hippocrène Foundation, the University of Savoie-Montblanc, for the financial help of VoCE 2018.
We thank those who trusted us from 2014 on, the French Mission du Centenaire, the OFAJ/French-German Youth Office, the Toepfer/FvS-Foundation, and utmostly the German Ministry of Foreign Affairs.

But the bulk of the commitment including the financial one, has been supported by all the players of this project in the seven countries, by every single person, and therefore also by you who attend this concert, and we convey our great gratitude to you.

Cyrille Colombier, Chef de Choeur ,  Artistic Director of VoCE 2014 – 2018  and President of the Festival des Nuits d’Eté,  will introduce himself to you, as well as Thierry Machuel, composer of « Memorial ».

Mascha Join-Lambert
President « Voix et Chemins d’Europe »

Tuesday 22 August: first rehearsal

Tuesday 22 August 8 am. On the sidewalk in front of the building where we sleep, many chorists are already there. Some frenches I know, some others belonging to the other choir, Vocalam, I don’t, some people from other countries I’ve seen the day before. Time to meet new people! Yipee! Before the bus reaches the station, the little badges we all wear help to know what the name of each other is and where we come from, it helps to start discussions; even if this is not really required: it looks like we are all on the same page, hungry of getting to know all these new people music gathers here. tuesday01 Reaching the place where the breakfast takes place, here we are! same place as yesterday evening, many tables, almost as chic and beautiful as in a wedding, sitting at tables where we could speak German, Hungarian or Polish if I would be able to; English will fit! Excitation almost replaces coffee, and eating the wonderful continental breakfast is not an issue to discuss with many guys and girls from here or there. tuesday02 In the amphitheatre the number of chorists is impressive. And they say we are not all here yet! Wow! Some music directors introduce themselves, but we really meet and get to know them when their hands are in the air, when after some instants of silence the music starts from more than one hundred of many different people’s mouths, when hundred of gazes are on the same point, and when we follow their direction in this morning of enjoying work together. repetition2
We all have sometimes redden, sometimes worked, in our own countries, all the songs we sing. But changing of conductor is like changing the country where we are: still the same as ours, but some slight differences, some nuances in some different places, some new requests not to breath here or where to make a silence all together, etc. While we work, complicity with my neighbors starts, with some eye contacts, some remarks, some advices…repetition3

Between the conductors too as far as we can see, when we see them discussing how will the day happen, what they think on this or that score part… And how will the week happen. But this is (a lot of) other stories, see the following reports! ;)

Christophe, french singer in VoCE project

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Journey in Peronne (France)

Already five Summer Peace Schools for the VoCE project!
See the pictures
This event, which stood between 21 and 27 of the month of may 2017, has been constitued by a work of poetry and theater, in some places of very high symbol and emotion. Péronne, in France, has got one of the most important museum and monuments devoted to the memories of the First World War.
The words written by the Bosnian Young people who took part of the project are the best account of the time they shared together:

War – every war is the same.
Killed, wounded, tortured….
Starving…
Ruins…..
But, in the end, war finished.
Then the only thing left is sadness, pain and wounds that are hard to heal but will pass one day  : you are the living experience for that.
100 years ago you have passed through hell, hate and conflict,
But now you are the leading and brotherly forces in Europe.
After all you’ve been through and what your ancestors thought, today you progress, move forward.
During these few days you showed that to us.
You were spending time together, visiting monuments, talking about the past together. You are well aware of what had happened.
But you, new generations, are together again and keep history not to be forgotten.

But we….
Small country Bosnia and Herzegovina, which lots of people never heard about, we are experiencing sadness for 20 years, and we are counting.
We lost our families,
We are growing up without parents, brothers or sisters.
We try to move beyond but our wounds are still fresh and they do not pass.
Mostly because of our Presidents.
All monuments, cemeteries, museums that we have seen here awakened compassion and sadness within us
And we would love our country to do the same.
How could we show you, one day, our history one-hundred-percent
And make you feel like you made feel us!
We want to tell you that in front of GOD we are all the same, brothers and sisters, and that all children are OUR children, and that all dead people are OUR people.
We think that we must not separate by percentage people who died for their country and freedom.
Therefore we need to raise a monument for them and not allow them to be forgotten.
We hope that our politicians one day will do the same thing, and that they will understand that only if we are together we can do anything good and make a better future for us.
But as long as they separate us, still talking about war and encourage us to hate, we are bound to stay on spot.
Because, even after 22 years, the main question and topic among our political leaders is: “Who is guilty?”
Is that still important?
Guilty – are all the people who created that war…
And after all we are here to uphold the legacy, memory of our dead ones, to rebuild our country but for peace and love among us as decided by a higher force.

Afternoon at Staromiejski Park

On the afternoon of July 30th 2016, as the sun is shining on Staromieski Park, children are playing, young families are pushing their babies in prams, young ladies are having  a merry picnic.
But something is getting ready…
Some ladies, dressed up as of old, carrying bundles of clothes, are sitting on benches. Tables are brought up, around which people start playing or chatting.
IMG_4023 Some traditional Hungarian or Bosnian songs are heard…
This marks the beginning of the « Stones of Memory » project: for several hours, city residents are going to share these moments symbolizing memory, friendship, music, or simply the pleasure of being together.                             IMG_4009
That way, choristers are able to listen to a lady from Wroclaw bearing witness of the story of her own family. In spite of the language barrier, her participation through words, listening and human exchange is both moving and happy. (to read the story: personalfamilystory)
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If they wish, people who are here can also write a testimony of their family memory, or simply leave a trace of their presence in the park, and in this project.

On one side of the lawn, young women from Cluj University Choir(Rumania) lead children and their parents into dancing and singing traditional songs or nursery rhymes. Music and popular traditions show they are just another means of sharing the happiness of family life and celebrating memory.

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Further away, you can see some choristers of different nationalities and ages playing an improvised game of frisbee. There are no such things as sport games or intellectual games to meet and share moments of sheer happiness.             IMG_4079

The expression « playing music » is quite meaningful. And singers taking part in the « Stones of Memory » project don’t forget that « playing music » together is their first and primarily hobby.
Another surprise is proposed to visitors in Staromiejski Park: a sound painting performance, a kind of group improvisation based on hand signs. All 130 choristers take part under the leadership of Cyrille Colombier, artistic director to the VoCE project and choirmaster of the French 20.21 Vocal Ensemble. This leads to very personal ways of expressing vocal or acting talents in different sung or spoken languages, which in turn merge with the sounds in the park, water rippling from the fountain, children’s laughter and distant traffic and tramway noises.
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-> See the pictures of this event

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Address to the audience at Conservatorium Concert Hall, July 31st, 2016

We congratulate our Polish partner Cantilena for reuniting all the “VoCE 14-18”-partners here in Wroclaw. As you will hear in a few moments, they succeeded so well that the spirit of our “voices and ways through Europe” is rushing here among us.
You can see here choirs from six countries, a team of seven conductors, and people from all ages and all walks. In less than one week’s time they managed to mingle a group out of these 120 personalities from Romania, Hungary, Bosnia&Herzegovina, Poland, France and Belgium.
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The secret of their performance?
Having thought twice.
Then, proposing a wise program: one about memory , as symbolized by this heavy bundle an artist sculpted in the heart of your town, like the ones that persons carry with them when they must leave home – as soldiers, as refugees, as chased people, as DP’s…loosing their voices and their ways. As it happened in Europe during WW1, the whole of the 20th century, and again today in many places of the world.

During this week in Wroclaw, the singers put their bundles down from their shoulders. They opened them to show and share the contents:  the memory of our life stories, the history of our countries, our grips with the world…
They considered pride and humility, force and forgiving, egoism and brotherhood, all of which featured history of all our countries. They discovered how much each of us strives towards something we all simply call happiness in life.
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This week in Wroclaw taught us one lesson only: we must stand together as Europeans against fanatics, fundamentalists and demagogues of all sorts on our continent. We want to live together as the peoples of Europe that share history and their hope for brotherhood in Europe.

Therefore, you will listen to music of memory and of hope.

Mascha Join-Lambert     IMG_4242
Chairwoman Voix et Chemins d’Europe, Chambéry, France
Coordination « VoCE 2014-2018 / Voices from Citizens of Europe » Project

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Celebrate peace rather than commemorate wars

2014-2018 VoCe project was born at the time when Europe was about to start commemorating the Centenary of the First World War.
The thought of its proponents, who are citizens from several countries like Germany, France, Poland, soon joined up by members from Bosnia and more recently from Rumania and Hungary, bore essentially on the way to celebrate differently this sad anniversary.
They decided that artistic practice should be the main motive for the actions which were to mark out each meeting, whether already planned or due to be held in the forthcoming months.
European citizen-choristers brought together for the important event that has just taken place in Wrocław (Poland) will mainly remember those moments of musical and festive togetherness they shared with each other.
However, the time for remembrance was not totally out: during our stay, we were honoured to meet three Polish historians who initiated and took part in a debate on peace: Tomasz Pudłocki, a research fellow of the Jagiellonian University, Crakovia – the oldest Polish university, accompanied by Magister Stanisław Szynkowski – PhD student at the University of Opole and Mag. Magda Arsenicz – PhD student at the Jagiellonian University.
IMG_0954IMG_1022          Tomasz Pudłocki – Jagiellonian University, Crakovia  and Mascha Join-Lambert, président and initiator of VoCE project

From the historical point of view, one must bear in mind that Poland didn’t existed previously as a political State, as shown on the map below. The city of Wrocław was under German rule and was then called Breslau.
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Nevertheless, there was an awareness of a Polish nation among citizens, especially artists and musicians. This corresponds to what historians called « The awakening of the nations », a movement that began in the middle of the 19th century, and which was echoed in a number of works by European musicians, such as Smetana (Vlatava,my homeland),  or by Albeniz (Spanish Suite). The suite Finlandia (1899) by Sibelius provided Finland its present (unofficial) hymn, and the latter was sung several times under the title A song for Peace by the choristers in Wrocław and Łambinovice

From 1914 to 1918, three armies thus fought on Polish ground. It may seem difficult to know who the « winners » of those battles were. It will be remembered that the State of Poland was born at the end of this conflict, thanks to the notion of the Right of peoples to self-determination and to the support of countries such as France. It is also important to remember that, whatever the country implied in the war, whatever its alliances and beyond the notion of victory, some common points clearly appeared:
- Hatred for fights and for the mass slaughter of a whole generation of young men.
- In most families, at least one member had been killed or had been seriously wounded.
- Sufferings and poverty were endured during and after the conflict by soldiers and civilians alike.
- Emancipation of women
- Setting-up of war memorials to the victims even where there had been no fights (i.e. Budapest). In contrast, those memorials are fairly rare in Poland where the sufferings of the Second World War, which were even worse, are more vivid.

At the end of the lecture, groups of thought were formed to exchange ideas on the theme of commemoration and especially of peace.
Different topics were debated: the issue about minorities in Poland today, the memory of deported people, especially people who were living in the East, this correspond to the current Ukraine, to the West, the identity of people at major events like the fall of the Berlin Wall, the Balkans War.
This conference led us to the heart of issues concerning European citizens now a day: is it possible to find ourselves while closing our doors?
And can we heal from painful memories without turning to others who feel the same pains?

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Here are some testimonies:
« For me, who was only five when war began in my country, the Stones of Memory are the traces of bullets, hand-grenades or shootings one can still see on the walls of houses.  They are also the roses painted on the ground. These traces enable us to remember this must not happen again ». (Dunja, from Bosnia)
 » My grand parents were deported from Ukraine near Wrocław. They thought they could be back home during 40 years… » (Terenia, from France, born in Poland)
« It is difficult to convey memory to children. We often teach from the point of view of our own country. Sometimes it’s too emotional to sing pieces that remind us of such painful experiences ». (Anne-Marie, from France)
« It is a good idea to commemorate in a feeling of brotherhood. We can always say we are sorry, but our generation is not responsible. If we had met a hundred years ago, we might have been enemies ». (Levente, from Hungary)
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« We don’t necessarily learn from the past. There is always a war going on somewhere, even if it is not within Europe. Today there is terrorism. Often, the media and politicians play at dividing people ». (Olivier, from France)
« Near where I live, there is a war memorial to the First World War. I walk past it every day but I don’t think about it every time, it is not possible ». (Ildiko, from Hungary)
« We must find something that will keep us together, not just our nation or our religion, as it has been in the past. This is why your VoCe project is original and interesting: rather than commemorating wars, it celebrates peace above all, and this is why I encourage you to keep up in this direction ». (Tomas Pudłocki, Polish historian)

The next day, all the choristers taking part in this event were driven to Łambinovice, 90 kilometres South of Wroclaw: this is the site of former Stalag (camp for war prisoners) and of a war cemetery where thousands of soldiers who fell during the First World War are buried. Most nations are represented: Poland, Russia, Rumania, Serbia, Germany, Great Britain, France…
This is where we sang Sibelius’s Song for Peace again and formed a chain of friendship in the paths between the graves.
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See the video of the event: lambinowice